He found all of these incredible local, up-and-coming Chilean artists to do all of those sculptures. Our art director, Marichi Palacios, did an awesome job. When we were destroying a set of statues, it was physically very hard, because they were real statues, not props. Of all the destructive things you had to do, which was the most enjoyable? I wasn’t really in the scene I was just in my mind thinking, This is happening.” I could not stop thinking about how I was cutting Keanu Reeves’ hair. How do you feel about this?” He was like, “Yeah, yeah, just cut it, man.” So Ana was sitting on top of him, and I’m cutting his hair. But I had go up to him and say, “I’m gonna have real scissors. I really cut Keanu Reeves’ hair! I told my mom, I called her and said, “Mom, I’m really nervous.” And she goes, “OK, but it’s a wig.,” and I told her, “No, I’m cutting Keanu Reeves’ hair! Mom, it’s Neo, what do I do?” Genesis does plenty of terrible things throughout the film, but at one point she cuts Keanu Reeves’ character’s hair. There are glimpses that you could maybe get, but it’s easy to lose them. It reminded me of Fatal Attraction and Hard Candy and Funny Games. I feel like it was a risky script and I don’t see that very often.ĭid you create a backstory for the character, then? Watching the movie, you don’t get a sense of how she ended up the way she is.
What an awesome character to play there’s so much going on in her little brain, and there’s the love between her and this other character, Belle, which I thought was so interesting. When I read Knock Knock I saw this very troubled human being who at the same time was empowered and very powerful, with a mission to sort of show the world what men can really be, and to say that the rules are not OK with her. Your character, Genesis, makes a strong case for never opening the door to a stranger. Here, Izzo-the Chilean-born actress who also stars in the recent thriller The Green Inferno-explains the draw of scary movies and why a simple haircut might have been the most terrifying scene of her career. What follows is a tense, frightening game of cats-and-mouse that makes it clear nothing a viewer thinks he knows about anyone involved is even remotely true. It really worked.In Knock Knock, the enthralling new horror film by director Eli Roth, two young women (Lorenza Izzo and Ana de Armas) appear at the door of an architect (Keanu Reeves) whose family has gone away for the weekend.
So we were really pushing him to the limit, playing with him and touching him and whispering things to him before the scene. He’s not open about talking about his life in general. The Blonde star revealed that Reeves was very uncomfortable, but his hesitance later resulted in crafting the perfect sequence for the movie. Although the actress considers that her favorite scene from the movie, it appears that it wasn’t easy for Reeves to dissolve into the character.
Knock knock ana update#
Ana de Armas later went on to share her perspective on the situation.Īlso read: “Keanu and I are done for the moment”: John Wick 4 Director Gives Disappointing Update on Sequel Despite Keanu Reeves’ $587M Franchise Haul at Box-Office Knock Knock (2015) Ana de Armas revealed that Keanu Reeves was very shy in Knock Knockįollowing her experience in the horror flick, Ana de Armas expressed that the John Wick star was pretty shy before performing the s*x scene.
Although things worked out perfectly fine for the actor and he went on to deliver an immaculate performance in the role of Evan Webber.
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